My 2nd Steve Davis bridge arrived last Wednesday or Thursday and it fit my old, no-name open back with Aguila Nylgut strings very well! The bridge is hard maple with a thin ebony cap and really focused and sharpened the tone of my banjo. Recommended! Overall, the sound has improved. Tim Purcell was born on 7 December 1949 in Hastings, East Sussex, England, UK. He was portrayed by Tim Purcell. I was honoured to have been awarded Knight 1st Class of the Order of the White Rose of Finland in October 2008, at a ceremony at Parliament House. I gave it a 9 only due to the finish. Contact Tim Purcell's Bio As an experienced and innovative ICT Management Professional, happily living in Australia's National Capital, Canberra, I've found that work takes place in many arenas - in cafes, in offices and during the many networking functions (that Canberra does so very well). Very happy with the entire transaction.. thanks. I'm an anal tone freak & I don't casually heap praise on anything - only when it *really* works. I'm currently playing the head just above a G#. Craftsmanship is excellent. I wasn't sure what to expect out of Locust, but what I got was something new almost haunting in G minor tuning. But this Piano bridge is THE best sounding bridge for this old Mastertone that I have ever used,period. I found working with David to be top-notch. - I really like the way the curved, untopped bridge looks, very organic. Probably the best 30 bucks I ever spent. During the formative stages of redeveloping Mobile Innovations into Engin, the market leader of VoIP in Australia, Tim was actively engaged as both a sounding board during the ideation process and a mentor during the productisation process for Engin's product range. One thing I was looking for was a brighter tone, especially on the lower strings, and the bridge delivered. Terms of Use | Privacy Policy | Copyright 2023 Banjo Hangout. I should have gotten one of these a long time ago.This is a 1/2" teak, Crowe spaced on a Reiter tubaphone with tight fiberskyn head. The following day our band had 2 jobs and I ended up playing about 7 hours total. Tim Purcell, 64, traces the beginnings of F&F to a miserable New Year's Eve 10 years ago when his band, the Mustangs, couldn't find a gig. I did need to experiment with bridge placement and needed to place the Snuffy about 1/16" from where the original Goodtime bridge sat. ( that extra 2 mm make such a huge difference in playability) Anyway, the bridge has again improved intonation and sound, but, smaller banjo smaller differences. Awesome bridge. Now the intonation is spot-on, note separation has improved and the instrument is louder. The tone is just what I wanted, it took the edge off the "Thunkyness" and even gave a bit of enhanced volume. I emailed Mike and asked if there was much of a difference in tone between the Snuffy and the Kat Eyz peg head. It cost 25$. I doubt anyone is going to put these on super-high end banjos, but on a beginner or intermediate banjo these are probably a very inexpensive and nice upgrade. I corresponded with Bart ahead of time, gave him the full specs of the banjo and went with his recommendation. I have played fretted stringed instruments of all types, including banjos, for about 35 years. Got this bridge in 2.1 grams, but willorder some slightly heavier ones soon for what I believe will produce even thicker richer tones perfectforsolo work or recording. I have this bridge set up on a 1928 TB3no hole archtop(conversion 5 string neck). Just received a new Zebra wood/Lignum Vitae bridge from David,I spoke with him and he recommended this setup for my Woody.having purchased from him before I knew what fine work he does but I have to say thisWOW! And I make nice stuff. I emailedSilvioto relate my opinions and he said he had the same experience with this bridge. This bridge has given it new life. I'm using it on a 12" Ramsey open back with a rolled brass tone ring and a John Balch skin head. On first impression, the Sampson bridge is a beautiful and supremely crafted bit of wood. Must have something to do with that beech wood he landed not long ago. Well, let me tell you..it kept the sweet tone and crack, but took the volume up to where I could never get it before. Perfect foraircraft "carry on". 5. I would encourage anyone who hasn't tried his bridges to contact him, give him yoursetup info, pick his brain and give his bridgesa try. I can't say the sound now is "woody" - it's definitely a metal tone ring sound, but with the Kat Eyz bridge it's now much fuller, rounder, mellower, and more balanced across the tonal spectrum than it ever was before. During the summer of 2014, F and F had some higher-paying jobs that were worth asking Maggie who had a summer job as a restaurant hostess in Nashville and an internship on Music Row, to make the drive to Atlanta. These are nice bridges. I would absolutely do business with him again, I just need more banjos, I'm sure she'll let me have some if I'm nice. It was clear the bridge had been given special attention by the maker.Second, the design was excellent. The growl is there. I have decided that the sound this bridge gives my banjo far outweighs the inability to mute the instrument. Also, I am very surprised at the presence of the 4th string from such a thin bridge! Purchased this roasted maple 11/16 Crowe spaced bridge mainly because of the price. A nice design (rounded feet for me), and nice solid wood feel. I didn't have any solid complaints about the bridge I had already, just vague dissatisfaction of how the banjo sounded in a big room or outside. Just spent the last few hours tinkering with my new Archie bridge. I'm also primarily a guitar player and do a little straight bluegrass, but more melodic alternative "from the hip" improvisations and a lot of guitarish styling. Biography. Just when I thought the Huber couldn't be improved, the Davis bridge gave it just a slight increase of volume & an ever so slight longer sustain. I ended up leaving in an old Iida 225, in which it gave a noticeable improvement in tone, especially up the neck. I believe Eric at Sullivan has another solid product to add to the Sullivan name! That is a huge compliment. I own a Recording King OT Madison with a scoop that I like very much but felt could be tickled to have a little better tone. It also improved the separation of notes. BBB File Opened: 8/30/2010. I was a bit worried that I asked for a bridge that was going to be too heavy but now I think I can say that 2.3 grams is about right for my open back.- one of the more obvious differences with the camo bridge is volume. Great product. Extra sustain - perfect for my playing style, at least for a lot of the stuff I do. Not this one. Tim Purcell had been around the musical block a number of times, all the way from his first band, American Apple, and including (but not limited to) Lou's Blues Revue, Perfect World, The Riley Hawkins Band, and The Mustangs.But his latest & greatest is a combination of young & old folks called Foxes and Fossils.Though best known recently for the covers he's done with Foxes and Fossils, Tim has . I originally bought one of BHO member Tyri's 5-string bridges from Ebay. Oh and I appreciate the warning that came in the package. I am including a Youtube video which will allow you to listen for the difference between the two. A really great bridge and hats off to Dave Cunningham for doing this - it's finding these little gems that BHO exposes you to that makes Banjoing a real treat! Mahogany of course by nature wants to sound somewhat mellow. Feet touch the banjo just right. David noted that his bridges have a .010 arc chord depth at the base to account for the sag of the banjo head. This is a hand carved bridge, with a very flowing organic look to it. It's such a huge relief to know that you can play without having to listen to notes that are all over the place, as if your banjo is cursed. Great volume, balance and tone anywhere on the neck. Where Purchased: From Bart, banjobridge.com. He is passionate about telecommunications and innovation is a strong advocate to have during this critical phase of product development. Tim couldn't have been better to deal with. I bought 2 bridges and they both are excellent. If your looking for a slightlydarker, sweeter tone, give this bridge a try. It proved a way to "fine adjust" the amount of sound that was transfered from the strings to the banjo head. I had reviewed it on 11/13/08, first trying it on the Whitestar. This is the ebony-crowned teak (two-foot) bridge. The remaining three are probably going to migrate to my other banjos. Did it make a difference to "Rose"hmmmm? I wish I could put into words how it sounds but you just have to hear it. Sacrifice richness for clarity or vice versa. Zebra wood has a nice look. The sound was so dramatically improved that even my wife noticed (and she doesn't even like banjo music!). Since I very rarely change bridges (I went through a short time being obsessed with Jerry Rabun'sbridges but that was my only venture into bridge territory), I didn't really expect a radical change. To my surprise the Beech bridge changed the character of my Hatfield with more volume and more Growl, which I didn't think was possible. I had heard (and read) some good topics on how the Purcell bridges are really great and things like that, so I decided to try one for myself. He grew up in St. Joseph Missouri.Detective James "Tim" Purcell, was a 24 year Navy veteran and active member of Austin Police Department when he lost his valiant battle with cancer. I don't make a dime on these bridges but if you realize how important the bridge is on a banjo you should give David a shout, either here on the Hangout through his classified ad for his bridges..or go directly to his web site at www.dcbanjoworks.com I'm ordering another one today for my other banjo! All this despite a new mahogany neck and a head that is not overly tight. Tim's bridges sound great. Having tried several kinds of regular bridges, I chose the Veerman bridge for both my banjos. the 1st and 5th strings are spaced perfectly in the middle over the arch between the feet, while the 2nd-4th strings are noticeably (a couple thousandths) off center toward the 5th string. Liberated Man - performed live It was too muted, and dark,but he did his best based on my info. The tone and volume both improved significantly. Wow, well I've been playing around with the bridges so far and I can say he definitely recommended the right woods. Silly me. I had heard (and read) some good topics on how the Purcell bridges are really great and things like that, so I decided to try one for myself. And Gary shipped it lightning fast! I'm massively impressed by the note quality, the sustain remains fully in tune for the entire length of the note with no 'drop off' which is pretty amazing. Extremely smooth everywhere, beautiful wood, the best string slots I have seen on any bridge, etc. Precise manufactured bridge, which produce a fantastic sound! The engineering and craftsmanship of his products are absolutelythe best. The bridge I was using was making the banjo sound muddy with no note separation. Bart's Dark Star bridge is advertised as being especially good for "woodies" so I thought, "why not?" The best bridges, magnificent extraordinary craftsmanship! I believe in the spirit of this family, this group as a force for good in a time when it is so sorely needed. Bart's website is also a great resource for banjo information in general; worth checking out even if you're not in the market for a bridge. The bridge looks much like the one that came with my Eagle 2 except for Greg's initials on the new one. Thought I'd give the Sosebee Submerged wood banjo bridge a try. We use cookies to ensure that we give you the best experience on our website. It has transformed the instrument! Placed on a properly set-up banjo, the bridge will deliver strong bass and very clear highs--the clearest so far that I've found on a production bridge for the price. For 25 bucks you can't go wrong! I recently ordered a Bart bridge for a humble GoldTone Cripple Creek Irish Tenor banjo. I am going to try the Emerson II "Sweet Power" bridge as well, as I won't always want that much volume.Really, if you are looking for a loud, edgy tone this bridge will do that for your banjo! DVD-quality lessons (including tabs/sheet music) available for immediate viewing on any device. has been at the heart of our town and a stones throw from where many of us were born, and their involvement has lifted the spirit and also the potential investment in the town First he swapped out the popular, well known bridge on my banjo with the Organ bridge. Luckily for me he agreed to do them but he had to specially set up his machines because he had never done these sizes before. I had to get a 2.09 gram and a 2.2 gram for my 2 banjos because all banjos are not the same.. A thing of beauty. In addition to the bridge I ordered, David sent along a two-foot bridge in Walnut with a Padauk cap for me to try. On a cold, rainy January day I was sitting in my sweatpants, playing my guitar, bemoaning the fact that my band, The Mustangs, had just experienced one of our worst holiday seasons ever. All the bridges sounded very good. I'd recommend this bridge as a viable member in the lineup of bridges that every picker should have. Thanks Tim. Dealing with Tim couldn't have been better. I was and am really amazed and have swapped back and forth a few times since and I think the difference is real. Not only does David continue to provide an outstanding product at a good value, his customer service and response times are exceptional. You should at least try one because there's a good chance it'll become your favorite too. My wife heard a difference from downstairs. Believe it or not the first bridge Tim sent me, our puppy Frida bit the envelope and broke one of the legs off. I immediately ordered another one for my Bob Flesher Grand Cotillion with similar results. It spiced it up, twanged it up, metaled it up, gave it a complexity and a voice that I never imagined this banjo was capable of. Thanks, Bart. Whenever Amelia tries to ignore or get rid of it, the Babadook comes back even scarier than before. Easy enough: Ask Toby. There have been great things said about his bridges so I decided to add a few of them to my shop stock.Let me say first that the overall craftsmanship is first rate, from the look, cut of the wood and notches for the strings. Highly recommended, especially if you need some customization. I highly recommend it! I then tried it on my28 Granada 40-hole AT. Bart decided on a plain Mystery wood bridge, lighter weightfor Stewie with slots cut specifically for the Nylgut (I ended up measuring them with a caliper) and using Crowe spacing. Some folks might find the tone a little too bright (particularly the 1st string). See not prof. but for fun. Highly recommended. Volume, clarity, fizz and vibration through the Banjo are much improved over what was a very good bridge. Mine is cherry, with a wenge top. The highs picked up some punch, too, but the bass is more noticeable. I've been playing amateur gigs with a small group of people, and have been wishing my banjo had more volume. Copyright 2022 Bennett, Coleman & Co. Ltd. All rights reserved.For reprint rights: Tim Purcell is a popular Glad I did as this simple no frills little number is great on this banjo. I'd always had a bit of trouble with intonation up the neck as well, so I'd been using one of those stock compensated bridges by one of the big manufacturers and it helped a bit but still wasn't great. He responded to emails in a timely manner and answered all my questions regarding what bridge would work best with my banjo. I was becoming increasingly frustrated with the lack of sustain and general dullness of the tone. The bridge drastically altered the sound of the banjo to the point that my non-musician wife commented that it sounded different and better without prompting. 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